Originally from Treaty 4 territory Saskatchewan, Jeanette Kotowich creates work that reflects Nêhiyaw/Métis cosmology within Indigenous performance, Indigenous futurism and contemporary dance. Her creations have been presented at theatres and festivals across so-called Canada, including Kwê at Matriarchs Uprising and The Dance Centre’s Dance In Vancouver. Jeanette’s been creating a series of short experimental dance films during the pandemic. She has been an artist-in-residence at Raven Spirit Dance, NAC Indigenous Theatre, Shadbolt Centre and The Dance Centre. In the summer of 2020, she conducted land-based research in her home province of Saskatchewan, fusing interdisciplinary collaboration, decolonial practices and embodied research towards the creation of Kisiskâciwan.
Indigenous Theatre invited artists from coast to coast to coast to create brief digital works using the land as their source of inspiration.